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MODE DIPLOMATIQUE

#INNAMORATO #FW2014


“Les choses n’existent que lorsqu’on peut les nommer.” #LaurentGounelle #Lephilosophequinétaitpassage

#INNAMORATO was born in 2010 from an intuition, a need to express a new vision of a chic elegance through an expressive and everyday wardrobe. subtle and accessible, mixing easy-to-wear pieces with a distinctive taste for contrasts and refined materials. In the studio, @Christine_Innamorato , also artistic director of the prestigious maison @Bonpoint for children and @Litchis_Innamorato, her daughter, graduated from le Studio Berçot.

Le Studio Berçot est à la mode ce que le Conservatoire est au théâtre: une référence.

Paraphrasant #LaurentGounelle “On ne peut pas changer les [femmes] tu sais. On peut juste leur montrer un chemin, puis leur donner envie de l’emprunter”. Les femmes-femmes de jour (comme de nuit) griffées @Cristine_Innamorato l’empruntent élan haletant .. Saint-Germain-des-Prés.


26, Rue Racine 75006 #Paris
info@innamorato.com

SHOWROOM 
6, Rue Tournon 75006 #Paris

www.innamorato.com


#LESDIEUXVOYAGENTTOUJOURSINCOGNITO #PARIS #MODEDIPLOMATIQUE

#INNAMORATO #FW2014


“Les choses n’existent que lorsqu’on peut les nommer.” #LaurentGounelle #Lephilosophequinétaitpassage

#INNAMORATO was born in 2010 from an intuition, a need to express a new vision of a chic elegance through an expressive and everyday wardrobe. subtle and accessible, mixing easy-to-wear pieces with a distinctive taste for contrasts and refined materials. In the studio, @Christine_Innamorato , also artistic director of the prestigious maison @Bonpoint for children and @Litchis_Innamorato, her daughter, graduated from le Studio Berçot.

Le Studio Berçot est à la mode ce que le Conservatoire est au théâtre: une référence.

Paraphrasant #LaurentGounelle “On ne peut pas changer les [femmes] tu sais. On peut juste leur montrer un chemin, puis leur donner envie de l’emprunter”. Les femmes-femmes de jour (comme de nuit) griffées @Cristine_Innamorato l’empruntent élan haletant .. Saint-Germain-des-Prés.


26, Rue Racine 75006 #Paris
info@innamorato.com

SHOWROOM
6, Rue Tournon 75006 #Paris

www.innamorato.com


#LESDIEUXVOYAGENTTOUJOURSINCOGNITO #PARIS #MODEDIPLOMATIQUE

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“La mia indipendenza, che è la mia forza implica la mia solitudine, che è la mia debolezza.” Pier Paolo #Pasolini

#Antonioni #Valentino #Vitti 
Caffé Greco en Roma, 1985.

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“La mia indipendenza, che è la mia forza implica la mia solitudine, che è la mia debolezza.” Pier Paolo #Pasolini

#Antonioni #Valentino #Vitti
Caffé Greco en Roma, 1985.

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#OSCARDELARENTA 


“Although I have no plans to tweet [or Instagram], I am fascinated by developments on the Internet.” RIP #OscardelaRenta 


Oscar Aristides Renta Fiallo left his beloved Dominican Republic at the age of 18 to study painting in Spain. He soon abandoned that pursuit to learn everything he could about fashion, apprenticing with Cristobal Balenciaga and assisting at Lanvin. He went out on his own in 1965, and that was that. Ladies of high society have relied on him ever since for color, refinement, and a touch of the Latin exotic in their wardrobes. 


Does the fashion style of legendary designer #ODLR still stand up? The great man’s natty grandeur will live for ever .. 


Our heartfelt condolences @OscarPRGirl 



#NEWYORK #MODEDIPLOMATIQUE

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#OSCARDELARENTA


“Although I have no plans to tweet [or Instagram], I am fascinated by developments on the Internet.” RIP #OscardelaRenta


Oscar Aristides Renta Fiallo left his beloved Dominican Republic at the age of 18 to study painting in Spain. He soon abandoned that pursuit to learn everything he could about fashion, apprenticing with Cristobal Balenciaga and assisting at Lanvin. He went out on his own in 1965, and that was that. Ladies of high society have relied on him ever since for color, refinement, and a touch of the Latin exotic in their wardrobes.


Does the fashion style of legendary designer #ODLR still stand up? The great man’s natty grandeur will live for ever ..


Our heartfelt condolences @OscarPRGirl

#NEWYORK #MODEDIPLOMATIQUE

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ROSA DI ROMA


Meglio puntare sulla freschezza, per ottenere un make up au naturel con un’aria rilassata, vivace, lucente, proprio come ha fatto la mia splendida amica @ElisabettaPellini romantica anche nella sua gonna pink-plissettata griffée @LauraBiagiottiofficial ! 

#Rose à porter 
#Rome à aimer ..



#ROMA #MODEDIPLOMATIQUE

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ROSA DI ROMA


Meglio puntare sulla freschezza, per ottenere un make up au naturel con un’aria rilassata, vivace, lucente, proprio come ha fatto la mia splendida amica @ElisabettaPellini romantica anche nella sua gonna pink-plissettata griffée @LauraBiagiottiofficial !

#Rose à porter
#Rome à aimer ..

#ROMA #MODEDIPLOMATIQUE

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Tutto quello che vuoi è nella tua testa, a volte è proprio la parte più difficile da gestire …

‪@CHALAYANSTUDIO‬ ‪#‎SS15‬



photo GoRunway.com | @FilippoFior



BETWEEN INSIDE OUT
#PARIS #MODEDIPLOMATIQUE

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Tutto quello che vuoi è nella tua testa, a volte è proprio la parte più difficile da gestire …

‪@CHALAYANSTUDIO‬ ‪#‎SS15‬

photo GoRunway.com | @FilippoFior

BETWEEN INSIDE OUT
#PARIS #MODEDIPLOMATIQUE

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.Aparté.


{Enattendant @AlexanderWangNY x @HM ce soir}

"Servir de paradis aux autres est un enfer" écrira Liane de Pougy dans #MesCahiersBleus 


Son port altier acquis durant ses années de couvent servira d’écrin charnel à une époque assoiffée de plaisirs, de luxe et d’extravagance: le #Paris de la Belle Époque. Aujourd’hui, les courtisanes modernes, comme leur mode, font dans “l’élitisme de masse”, formule exquise de @VirginieMouzat .. 


#NEWYORK #MODEDIPLOMATIQUE

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.Aparté.


{Enattendant @AlexanderWangNY x @HM ce soir}

"Servir de paradis aux autres est un enfer" écrira Liane de Pougy dans #MesCahiersBleus


Son port altier acquis durant ses années de couvent servira d’écrin charnel à une époque assoiffée de plaisirs, de luxe et d’extravagance: le #Paris de la Belle Époque. Aujourd’hui, les courtisanes modernes, comme leur mode, font dans “l’élitisme de masse”, formule exquise de @VirginieMouzat ..


#NEWYORK #MODEDIPLOMATIQUE

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LA DIVINA MARCHESA
A PALAZZO FORTUNY


The Divine Marchesa
Art and life of Luisa Casati from the Belle Époque to the spree years

Venezia rievoca la figura e il mito della donna che affascinò d’Annunzio e con le sue follie divenne la musa dei più grandi artisti del tempo da Boldini a Bakst, da Marinetti a Balla, da Man Ray ad Alberto Martini, da Van Dongen a Romain e Brooks. Palazzo Fortuny a Venezia, uno dei “luoghi” più amati dalla Divina Marchesa, sarà la sede della prima mostra interamente dedicata a Luisa Casati Stampa, la donna che a inizio Novecento, con il trucco esagerato, le trasgressive ed eccentriche performance e una vita sopra le righe, fu capace di trasformare se stessa in opera d’arte. L’esposizione conta oltre un centinaio opere tra dipinti, disegni, gioielli e sarà aperta dal 4 ottobre all’8 marzo 2015.

The exhibition on three floors of Palazzo Fortuny will recreate and immerse the visitor in the atmosphere of the Divine Marchesa’s life. For half a century she was a dark lady, a major art collector and patron, and muse of the Symbolists, Fauves, Futurists and Surrealists: a legend who still inspires artists and leading couture houses today.


Photo-choice : #AustinEllis


#VENEZIA #MODEDIPLOMATIQUE

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LA DIVINA MARCHESA
A PALAZZO FORTUNY


The Divine Marchesa
Art and life of Luisa Casati from the Belle Époque to the spree years

Venezia rievoca la figura e il mito della donna che affascinò d’Annunzio e con le sue follie divenne la musa dei più grandi artisti del tempo da Boldini a Bakst, da Marinetti a Balla, da Man Ray ad Alberto Martini, da Van Dongen a Romain e Brooks. Palazzo Fortuny a Venezia, uno dei “luoghi” più amati dalla Divina Marchesa, sarà la sede della prima mostra interamente dedicata a Luisa Casati Stampa, la donna che a inizio Novecento, con il trucco esagerato, le trasgressive ed eccentriche performance e una vita sopra le righe, fu capace di trasformare se stessa in opera d’arte. L’esposizione conta oltre un centinaio opere tra dipinti, disegni, gioielli e sarà aperta dal 4 ottobre all’8 marzo 2015.

The exhibition on three floors of Palazzo Fortuny will recreate and immerse the visitor in the atmosphere of the Divine Marchesa’s life. For half a century she was a dark lady, a major art collector and patron, and muse of the Symbolists, Fauves, Futurists and Surrealists: a legend who still inspires artists and leading couture houses today.


Photo-choice : #AustinEllis


#VENEZIA #MODEDIPLOMATIQUE

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Ma non sono nessuno se tu non mi ci fai diventare 

#HediSlimane pour #SaintLaurent #SS15

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Ma non sono nessuno se tu non mi ci fai diventare

#HediSlimane pour #SaintLaurent #SS15

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SPRING SUMMER SAN MAURO


In 1600 they were only four. Yet, between 1830 and 1900, in #SanMauro there were many people who chose to dedicate their lives to the profession of cobbler, repairing shoes on the doorstep or at home, and bartering their work with food and other things. 

But only at the beginning of the new century the production of #shoes makes a great leap forward, going from the complete #footwear collection to selling into the country markets. In these years many people living in #SanMauroPascoli worked in this field, to that extent that they created a community with an own flag (1901).

During the First World War the cobblers that were working for the army obtained the qualification of Suppliers of the military commissariats with exemption form serving.

At the end of the 20s, to face the economic crisis, the cobblers reunite in a cooperative society that was patron by the Fascist Government. The renewal of the commission for the army footwear and above all for the hiking boots for members of the Italian alpine troops, grant a relative well-being to the country, with #cobblers that only work by hand, using “string made of eighteen threads full of pitch because, once the job was over, they had to be waterproof”. 

During a visit in San Mauro, #Mussolini claims the necessity of a first mechanization and gives the city, in 1939, the considerable amount of 88.000 Lire: the regime press gives great consideration to this event, exalting the benevolence of Il Duce.

At the end of the Second World War, the community of cobblers tries to restore the old fascist cooperative association. Mr #Montanari from #Bologna carried on this idea with fervor: he collected what had been left of the equipment and handwork to build a small factory. The experiment gives modest results, but drives many families from San Mauro – The #Pollini , The #Mazzoti , the #Paganelli and the #Zoffoli – to reopen the activity insomuch as the commerce reaches the neighboring centers of #Cesena , #Forli and #Rimini where tonight, I met #Benedetta proudly posing in San Mauro’s !


No Loyalty. No Party !


#EMILIAROMAGNA  #MODEDIPLOMATIQUE  (at San Mauro, Emilia-Romagna, Italy)

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SPRING SUMMER SAN MAURO


In 1600 they were only four. Yet, between 1830 and 1900, in #SanMauro there were many people who chose to dedicate their lives to the profession of cobbler, repairing shoes on the doorstep or at home, and bartering their work with food and other things.

But only at the beginning of the new century the production of #shoes makes a great leap forward, going from the complete #footwear collection to selling into the country markets. In these years many people living in #SanMauroPascoli worked in this field, to that extent that they created a community with an own flag (1901).

During the First World War the cobblers that were working for the army obtained the qualification of Suppliers of the military commissariats with exemption form serving.

At the end of the 20s, to face the economic crisis, the cobblers reunite in a cooperative society that was patron by the Fascist Government. The renewal of the commission for the army footwear and above all for the hiking boots for members of the Italian alpine troops, grant a relative well-being to the country, with #cobblers that only work by hand, using “string made of eighteen threads full of pitch because, once the job was over, they had to be waterproof”.

During a visit in San Mauro, #Mussolini claims the necessity of a first mechanization and gives the city, in 1939, the considerable amount of 88.000 Lire: the regime press gives great consideration to this event, exalting the benevolence of Il Duce.

At the end of the Second World War, the community of cobblers tries to restore the old fascist cooperative association. Mr #Montanari from #Bologna carried on this idea with fervor: he collected what had been left of the equipment and handwork to build a small factory. The experiment gives modest results, but drives many families from San Mauro – The #Pollini , The #Mazzoti , the #Paganelli and the #Zoffoli – to reopen the activity insomuch as the commerce reaches the neighboring centers of #Cesena , #Forli and #Rimini where tonight, I met #Benedetta proudly posing in San Mauro’s !


No Loyalty. No Party !


#EMILIAROMAGNA #MODEDIPLOMATIQUE (at San Mauro, Emilia-Romagna, Italy)

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